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11th October - 5th november 2017

Tarli Glover | land

Green Space, 2017, pastel on paper, 80x120cm

Green Space, 2017, pastel on paper, 80x120cm

OPENING EVENT - 14th October, 2-4pm

Local established artist Tarli Glover makes no secret of her love of the Western Victorian plains. The simple act of traversing the countryside reveals her sensitivity to the colour blocks and the shape-shifting of tones.

To those who know the region, the Western Victorian plains are home to big agriculture as well as smaller family-operated makers and crafters. The landscape is scarred by the seasons and the farming methods, often leaving a barren beauty matched with big skies. 

Tarli admits she is deeply affected by the vistas. She reduces her vision to blocks and tones, reminiscent of Gerhard Richter's abstract landscape, Korn or Willem de Kooning's Villa Borghese. The cypress tree windbreaks become islands in a sea of flowering canola. The dirt roads dividing the landscape become scratchmarks, detailing just how insignificant our humanity is against the vast expanse.

But this is a landscape that has been forever changed by human hands. There is a disquiet in Tarli's beautiful works that suggest loss of ecosystems and complex native environments. The natural hunting territory of the wedge tailed eagle, for example, has been pushed away, further and further, leaving this extensive and every-growing patchwork of farmland.

In this series of new and recent works, LAND celebrates the changing seasons, the subtle tones of response from the landscape to the loss of water, or the chilling cold. These colours are ones a farmer would recognise, noting the time to plant or harvest or appreciating that it's time to protect from fire. They also reveal a deep love and respect.

LAND is a collection of works that are simultaneously beautiful as well as thought provoking.

Blue Night (2017), pastel on paper, 28 x 35cm

Blue Night (2017), pastel on paper, 28 x 35cm

 
Potato Country (2017), pastel and graphite on paper, 57 x 55cm

Potato Country (2017), pastel and graphite on paper, 57 x 55cm

New Crop (2017), pastel on paper, 56 x 56cm

New Crop (2017), pastel on paper, 56 x 56cm


8th november 2017 - 3rd january 2018

group exhibition | the thin veil

There are three deaths. The first is when the body ceases to function. The second is when the body is consigned to the grave. The third is that moment, sometime in the future, when your name is spoken for the last time.
— David Eagleman, Neuroscientist

Opening night & smoking ceremony - 9th November, 6 - 8pm

The Thin Veil, a complementary exhibition to the Art Gallery of Ballarat's Romancing the Skull, is an exploration of the tissue-thin veil that separates the living from the dead.

As people we suffer from the desire to know what happens next, the need to philosophise an answer, to understand and control.

This is coupled with the reality that in many Western cultures we have lost connection with the rituals of dying, death and grieving.

The Thin Veil is a group exhibition of some of Australia's leading artists, and emerging talent. The exhibition is of new and recent works, and uses the whole building as a metaphor for both the esoteric and the visceral.

Artists in this group show include:

  • Kim Anderson
  • Bethany Atkinson-Quinton
  • Isabelle de Kleine
  • Trent Parke
  • Natalie Ryan
  • Saskia Scott
  • Jessie Stanley

The front gallery will be opened to a series of documentary photographs from DonateLife, tracking the process of donating organs so that others may live.

Downstairs will play host to a range of workshops and events, supporting the theme of death, dying, loss, grief and memory.

Trent Parke, Cockatoo, backyard, Newcastle, New South Wales, 2011 from The Black Rose, Pigment Print 120 x 150cm, edition of 7

Trent Parke, Cockatoo, backyard, Newcastle, New South Wales, 2011
from The Black Rose, Pigment Print 120 x 150cm, edition of 7

Natalie Ryan, Corpse Flower (2017), ceramic

Natalie Ryan, Corpse Flower (2017), ceramic

Saskia Scott, Fragments (Dress) (2016), porcelain, 95.5 x 47 x 4 cm.

Saskia Scott, Fragments (Dress) (2016), porcelain, 95.5 x 47 x 4 cm.


 

 

 

 

 

 

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